剧情介绍
这里是小小影视(haowywz.com)为您带来的一部来自其它 的剧情 歌舞 电影。 她的名字是：《我用夏天比拟你》，她的演员是：Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad ，她的导演是：穆罕默德·肖基·哈桑 ，她的上映时间是：2022 年。 我用夏天比拟你在线观看，迅雷BT种子,磁力链接,电驴ED2K高清电影资源尽在@全能影视(haowywz.com),希望您能喜欢!点击最右方的迅雷下载即可使用迅雷下载高清电影或者BT种子/ED2K资源哦!
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.” 展开全部
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.” 展开全部